Designs for Living
Todd Hansen unites modern function with classical forms
By Camille LeFevre
Photo by David J. Turner
From then on, Hansen sought to discover how he could change people’s relationship with the objects and places they encounter in daily life. In high school, he made clothing and studied graphic design. His objective: “to figure out how to make the world a more beautiful and life-sustaining place.” While earning his undergraduate degree from Hampshire College in Massachusetts, he took a year off to work in a restaurant, with an eye toward chef school. “I remember the pleasure of getting the perfect dice of carrots, onions, and fennel to fit into a shell with a mussel,” he recalls. “I’ve always been acutely sensitive to visual details.”
Instead of continuing on the culinary route, Hansen finished college with a degree in architectural studies. He went on to earn a master’s in architecture from the University of Pennsylvania in 1991. The young architect moved back to Minnesota and worked for a commercial firm in St. Paul, as well as TEA2 and YA Architects in Minneapolis before joining a firm that was newly founded by his wife, architect Christine Albertsson.
Hansen is known for his painstaking attention to detail. For example, he recently designed many intricate features for a Cannon Falls house: an apothecary cabinet embedded in a wall, a pantry filled with drawers that cushion each piece of the homeowner’s fine tableware, and more than 30 detailed pieces of millwork he articulated for different areas of the house. Also consider the house as a whole: Sensitively sited on a narrow ridge, the house looks fresh and contemporary, but also feels as though it’s always been there.

Photo by Peter Bastianelli-Kerze
“What I learned while studying at Penn was that architecture is a set of ideas that meets human needs in built form through time,” Hansen says. “I don’t feel at odds with history, but I don’t feel tied to it either.”
For another project, a modern speculative house in Mendota, Hansen created a warm living space by bringing in lots of light through clerestory windows, and by incorporating built-in cabinetry and millwork. He also tucked necessities, such as a laundry room and pantry, behind a door in the kitchen to maintain the home’s open, modern aesthetic without eliminating any functions. Hansen believes that “architectural intention can be expressed at every level, from initial siting to millwork details.”
Hansen says the professional partnership between him and Albertsson has evolved naturally, since the two share a timeless but modern sensibility. “Many people today live modern lives in old houses,” Hansen says. “They’re looking for an interpretation of the past that fits a modern sensibility.” Given his lifelong desire to beautify everyday objects, Hansen can surely supply one that works.
Camille LeFevre is a St. Paul writer.
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